{"id":6425,"date":"2025-12-10T11:49:37","date_gmt":"2025-12-10T09:49:37","guid":{"rendered":"https:\/\/semanatarrega.com\/?page_id=6425"},"modified":"2025-12-10T12:04:20","modified_gmt":"2025-12-10T10:04:20","slug":"jacob-kellermann","status":"publish","type":"page","link":"https:\/\/semanatarrega.com\/en\/jacob-kellermann\/","title":{"rendered":"Jacob Kellermann"},"content":{"rendered":"
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Jacob Kellermann<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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[Spanish bio – English below]<\/em><\/p>\n

BIOGRAF\u00cdA EN ESPA\u00d1OL<\/span><\/p>\n

Elogiado por su excelente t\u00e9cnica y tono vocal (American Record Guide) y por sus exuberantes y decisivas interpretaciones (Dagens Nyheter), Jacob Kellermann se ha consolidado como uno de los guitarristas m\u00e1s visibles y vers\u00e1tiles de Escandinavia. Con un extenso repertorio que incluye conciertos, obras solistas y m\u00fasica de c\u00e1mara, as\u00ed como transcripciones propias, busca constantemente nuevas posibilidades expresivas para la guitarra.<\/span><\/p>\n

Act\u00faa regularmente en los principales escenarios de su pa\u00eds natal, Suecia, y tambi\u00e9n a nivel internacional en algunos de los escenarios m\u00e1s prestigiosos del mundo, desde el Concertgebouw de \u00c1msterdam y el Gasteig de M\u00fanich hasta el Tokyo Bunka Kaikan y el Seoul Art Center. Como solista, ha colaborado con orquestas como la Orquesta Filarm\u00f3nica de Londres, la Orquesta Filarm\u00f3nica de la BBC (Reino Unido), la Orquesta Filarm\u00f3nica Real de Estocolmo, la Orquesta Sinf\u00f3nica de la Radio Sueca, la Orquesta Sinf\u00f3nica de G\u00e4vle (Suecia), la Filarm\u00f3nica de Bielefeld (Alemania), la Orquesta de Valencia (Espa\u00f1a), la Orquesta de C\u00e1mara de Tallin (Estonia), la Orquesta Filarm\u00f3nica de Quer\u00e9taro (M\u00e9xico) y la Orquesta Filarm\u00f3nica de Incheon (Corea del Sur). Ha participado en festivales como el Festival Enescu (Ruman\u00eda), el Festival Dag in de Branding (Pa\u00edses Bajos) y el Festival El Jem (T\u00fanez). En 2020, Jacob actu\u00f3 en la ceremonia oficial de entrega del Premio Nobel, un honor otorgado a un selecto grupo de m\u00fasicos suecos. Jacob Kellermann graba en exclusiva para BIS Records y ha publicado cuatro \u00e1lbumes: S. Gubaidulina \u00abRepentance\u00bb (2014), Schubert Sonatas (2018), \u00abRodrigo, Harden & Coll – Obras para guitarra (2020)\u00bb y \u00abTakemitsu, C\u00e1ntico espectral (2023)\u00bb. Su tercer \u00e1lbum, centrado en conciertos para guitarra espa\u00f1ola, se public\u00f3 en diciembre de 2020 con gran \u00e9xito de cr\u00edtica y recibi\u00f3 un Grammy sueco al mejor \u00e1lbum cl\u00e1sico del a\u00f1o, adem\u00e1s de ser elegido n\u00famero 1 en la lista de discos del a\u00f1o por el diario sueco m\u00e1s importante, Dagens Nyheter. The Times (Reino Unido) lo calific\u00f3 de \u00ablanzamiento excepcional\u00bb, y NRC Handelsblad (Pa\u00edses Bajos) lo describi\u00f3 como \u00abun sonido orquestal transparente y preciso, con una excelente interpretaci\u00f3n de la parte de guitarra\u00bb. Tambi\u00e9n fue nombrado Diapas\u00f3n de Oro de junio de 2021.<\/span><\/p>\n

Igualmente solicitado como m\u00fasico de c\u00e1mara, act\u00faa regularmente con instrumentistas de cuerda y cantantes de toda Europa y ha realizado apariciones y giras aclamadas por la cr\u00edtica en Alemania, Francia, Pa\u00edses Bajos, Rep\u00fablica Checa, China, Jap\u00f3n y Corea del Sur.<\/span><\/p>\n

Kellermann tiene un profundo compromiso con la m\u00fasica de nuestro tiempo y colabora estrechamente con numerosos compositores, como Sofia Gubaidulina, Toshio Hosokawa, Jos\u00e9 M. S\u00e1nchez-Verd\u00fa, Francisco Coll, Lisa Streich y Djuro Zivkovic, lo que ha dado lugar a numerosas obras y conciertos escritos directamente para \u00e9l. Ha estrenado nuevos conciertos para guitarra con importantes conjuntos escandinavos de nueva m\u00fasica, como BIT20 Bergen y Norrbotten NEO. Tambi\u00e9n es cofundador del grupo neerland\u00e9s New European Ensemble, que interpreta el repertorio de los siglos XX y XXI en orquestas de c\u00e1mara dirigidas y no dirigidas, desde Schonberg, Boulez y Henze hasta estrenos mundiales de compositores de la siguiente generaci\u00f3n.<\/span><\/p>\n

Jacob Kellermann ha estudiado en Suecia, Espa\u00f1a, Pa\u00edses Bajos y Alemania. Obtuvo su \u00abMeisterklasse Diplom\u00bb con el profesor Franz Halasz en la Hochschule f\u00fcr Musik de M\u00fanich en 2011. Toca un instrumento del luthier alem\u00e1n Matthias Dammann.<\/span><\/p>\n

—<\/span><\/p>\n

ENGLISH BIO<\/span><\/p>\n

Praised for his \u201cexcellent technical skills and singing tone\u201d (American Record Guide) and for his \u201cexuberant and decisive interpretations\u201d (Dagens Nyheter), Jacob Kellermann has established himself as one of Scandinavia\u00b4s most visible and versatile guitarists. With an extensive repertoire that features concertos, solo works och and chamber music as well as his own transcriptions, he constantly searches for new expressive possibilities for the guitar.<\/p>

Regularly performing in all major venues of his native country Sweden, he also appears internationally in some of the world\u2019s most prestigious stages – from Concertgebouw Amsterdam and Gasteig Munich to Tokyo Bunka Kaikan and Seoul Art Center. As a soloist, he has worked with orchestras such as London Philharmonic Orchestra, BBC Philharmonic Orchestra (UK), Royal Stockholm Philharmonic Orchestra, Swedish Radio Symphony Orchestra, G\u00e4vle Symphony Orchestra (Sweden), Bielefelder Philharmoniker (DE), Orquesta de Valencia (Spain), Tallin Chamber Orchestra (Estonia), Quer\u00e9taro Philharmonic Orchestra (Mexiko) and Incheon Philharmonic Orchestra (South Korea). He has partaken in festivals such as Enescu Festival (Romania), Festival Dag in de Branding (the Netherlands) and the El Jem Festival (Tunisia). In 2020 Jacob performed at the official award ceremony of the Nobel Prize, an honor bestowed to a selected few Swedish musicians.<\/span><\/p>

Jacob Kellermann records exclusively for BIS records and have released four albums: S. Gubaidulina \u201cRepentance\u201d\u20132014, Schubert Sonatas \u2013 2018 and \u201cRodrigo, Harden & Coll \u2013 Guitar works 2020\u201d and \u201cTakemitsu, Spectral Canticle \u2013 2023\u201d. His third album, focusing on Spanish guitar concertos, was released in December  2020 to much critical acclaim and was awarded a Swedish Grammy for best classical album of the year as well as being chosen as #1 Record of the year by Swedens largest daily newspaper Dagens Nyheter. The Times (UK) called it a \u201cdistinctive release\u201d, and the NRC Handelsblad (the Netherlands) described \u201ctransparent, tight orchestral sound and excellent interpretation of the guitar part\u201d. It was also listed as Diapason d\u2019or of June 2021.<\/span><\/p>

Equally in demand as a chamber musician, he regularly performs with string players and singers all over Europe and have made critically acclaimed appearances and tours in Germany, France, The Netherlands, Czech Republic, China, Japan and South Korea.<\/span><\/p>

Kellermann has a deep commitment to the music of our time and close collaborations with numerous composers including Sofia Gubaidulina, Toshio Hosokawa, Jose M. Sanchez-Verdu, Francisco Coll, Lisa Streich and Djuro Zivkovic as resulted in numerous works and concertos written directly for him. He has premiered new guitar concertos with major Scandinavian new music ensembles BIT20 Bergen and Norrbotten NEO. He is also the co-founder of the Netherlands based group New European Ensemble, performing the 20th and 21th century repertoire in conducted and un conducted chamber settings – from Schonberg, Boulez and Henze to world premieres by composers of the next generation.<\/span><\/p>

Jacob Kellermann has studied in Sweden, Spain, the Netherlands and Germany. He received his \u00abMeisterklasse Diplom\u00bb under prof. Franz Halasz at the Hochschule fur Musik in Munich in 2011. He plays on an instrument by the German luthier Matthias Dammann.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Jacob Kellermann [Spanish bio – English below] BIOGRAF\u00cdA EN ESPA\u00d1OL Elogiado por su excelente t\u00e9cnica y tono vocal (American Record Guide) y por sus exuberantes y decisivas interpretaciones (Dagens Nyheter), Jacob Kellermann se ha consolidado como uno de los guitarristas m\u00e1s visibles y vers\u00e1tiles de Escandinavia. Con un extenso repertorio que incluye conciertos, obras solistas […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6425","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages\/6425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/comments?post=6425"}],"version-history":[{"count":8,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages\/6425\/revisions"}],"predecessor-version":[{"id":6445,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages\/6425\/revisions\/6445"}],"wp:attachment":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/media?parent=6425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}