{"id":6544,"date":"2025-12-10T17:11:10","date_gmt":"2025-12-10T15:11:10","guid":{"rendered":"https:\/\/semanatarrega.com\/?page_id=6544"},"modified":"2025-12-10T17:14:43","modified_gmt":"2025-12-10T15:14:43","slug":"sven-kristersson","status":"publish","type":"page","link":"https:\/\/semanatarrega.com\/en\/sven-kristersson\/","title":{"rendered":"Sven Kristersson"},"content":{"rendered":"
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Sven Kristersson<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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[Biography in Spanish – English and Portuguese below]<\/em><\/p>\n

BIOGRAF\u00cdA EN ESPA\u00d1OL<\/span><\/p>\n

\n
Sven Kristersson es doctor y profesor de canto en la Academia de M\u00fasica de Malm\u00f6 (Suecia). Trabaja como cantante, compositor e investigador, explorando a menudo archivos hist\u00f3ricos e interpretando cr\u00edticamente el patrimonio cultural de su pa\u00eds mediante la interpretaci\u00f3n recontextualizada. Sus proyectos se caracterizan por la hibridaci\u00f3n dial\u00e9ctica, yuxtaponiendo material po\u00e9tico y musical de diferentes contextos culturales, geogr\u00e1ficos y sociales. Ejemplos t\u00edpicos incluyen su interpretaci\u00f3n de la epopeya mesopot\u00e1mica de Gilgamesh, puesta en escena por el director iraqu\u00ed Karim Rashed, y su comedia dram\u00e1tica basada en el Viaje de Invierno de Schubert, un mon\u00f3logo donde la narrativa de Dario Fo se fusiona con la tradici\u00f3n del Lieder alem\u00e1n.<\/div>\n

<\/div>\n
Tambi\u00e9n ha traducido e interpretado el visionario poema n\u00f3rdico \u00abCanci\u00f3n de los Sue\u00f1os\u00bb (puesta en escena por el director Peter Oskarson), donde los ritmos plenos del tambor bat\u00e1 cubano se yuxtaponen con la m\u00fasica folcl\u00f3rica escandinava y la m\u00e1scara arquet\u00edpica de Pulcinella. Su \u00abSamba de C\u00e1mara\u00bb es un proyecto de investigaci\u00f3n que involucra a los m\u00fasicos brasile\u00f1os Afonso Machado y Bartholomeu Wiese, donde se yuxtaponen y entrelazan los estilos musicales sueco y brasile\u00f1o.<\/div>\n

<\/div>\n
Su investigaci\u00f3n tambi\u00e9n incluye un an\u00e1lisis del papel de la m\u00fasica en un entorno paisaj\u00edstico a partir de \u00abMadre Coraje\u00bb de Bertolt Brecht en el Helsingborgs Stadsteater (dirigido por Martha Vestin). Actualmente (2023) presenta una interpretaci\u00f3n performativa de la \u00abAntolog\u00eda Rota\u00bb de fragmentos y textos p\u00f3stumos del cantante y poeta sueco Birger Sj\u00f6berg, basada en sus propias configuraciones musicales, inspiradas en el legado literario de Sj\u00f6berg.<\/div>\n<\/div>\n
 —<\/div>\n

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BIOGRAPHY IN ENGLISH<\/p>\n

Sven Kristersson holds a doctorate and is a professor of singing at the Malm\u00f6 Academy of Music in Sweden. He works as a singer, composer, and researcher, often delving into historical archives and critically interpreting his country’s cultural heritage through re-contextualized interpretation. His projects are characterized by hybridization through dialectics, juxtaposing poetic and musical material from different cultural, geographical, and social contexts. Typical examples include his performance of the Mesopotamian epic of Gilgamesh staged by Iraqi director Karim Rashed and his stand-up tragedy based on Schubert’s Winterreise, a monologue where Dario Fo’s narrative meets the tradition of German Lieder.<\/p>

He has also translated and performed the visionary Norse poem, Song of Dreams (staged by director Peter Oskarson), where the full rhythms of the Cuban Bat\u00e1 drum are juxtaposed with Scandinavian folk music and the archetypal mask of Pulcinella. His \u00abChamber Samba\u00bb is a research project involving the two Brazilian musicians Afonso Machado and Bartholomeu Wiese, where Swedish and Brazilian musical styles are juxtaposed and interwoven.<\/span><\/p>

His research also includes an investigation of the role of music in a landscape setting from Bertolt Brecht’s Mutter Courage at Helsingborgs Stadsteater (directed by Martha Vestin). Currently (2023) he presents a performative interpretation of the \u00abBroken Anthology\u00bb of fragments and posthumous song-texts by the Swedish singer\/poet Birger Sj\u00f6berg, based on his own musical configurations, drawing from Sj\u00f6berg’s literary legacy.<\/span><\/p>\n

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—<\/p>\n

BIOGRAFIA EM PORTUGU\u00caS<\/p>\n

Sven Kristersson \u00e9 doutor e professor de canto na Academia de M\u00fasica de Malm\u00f6, na Su\u00e9cia. Atua como cantor, compositor e pesquisador, e muitas vezes se \u00abdebru\u00e7a\u00bb no arquivo hist\u00f3rico, interpretando criticamente o patrim\u00f4nio cultural de seu pa\u00eds atrav\u00e9s da interpreta\u00e7\u00e3o re-contextualizada. Seus projetos s\u00e3o caracterizados pela hibridiza\u00e7\u00e3o atrav\u00e9s da dial\u00e9tica, contrapondo material po\u00e9tico e musical de diferentes contextos culturais, geogr\u00e1ficos e sociais. Exemplos t\u00edpicos s\u00e3o o desempenho dele do \u00e9pico de Gilgamesh mesopot\u00e2mico encenado pelo diretor de Iraqui Karim Rashed e sua trag\u00e9dia de stand-up baseada em Winterreise de Schubert, um mon\u00f3logo onde a narrativa de Dario Fo atende a tradi\u00e7\u00e3o do Lieder alem\u00e3o.<\/p>\n

Ele tamb\u00e9m traduziu e realizou o poema vision\u00e1rio dos N\u00f3rdicos, o Canto dos sonhos (encenado pelo diretor Peter Oskarson), onde os ritmos completos do tambor Bat\u00e1 cubano s\u00e3o justapostos com m\u00fasica folcl\u00f3rica escandinava e a m\u00e1scara arquet\u00edpica de Pulcinella. Seu \u00abChamber Samba\u00bb \u00e9 uma pesquisa realizada, incluindo os dois m\u00fasicos brasileiros Afonso Machado e Bartholomeu Wiese, onde tipos de m\u00fasica suecos e brasileiros s\u00e3o contrapostos e entrela\u00e7ados.<\/span><\/p>\n

Sua pesquisa tamb\u00e9m inclui uma investiga\u00e7\u00e3o do papel da m\u00fasica em um cen\u00e1rio de paisagem de Mutter Courage de Bertolt Brecht em Helsingborgs Stadsteater (dirigido por Martha Vestin). Atualmente (2023) ele apresenta uma interpreta\u00e7\u00e3o perform\u00e1tica da \u00abAntologia Quebrada\u00bb dos fragmentos e textos-can\u00e7\u00f5es p\u00f3stumos do cantor\/poeta sueco Birger Sj\u00f6berg, com base em suas pr\u00f3prias configura\u00e7\u00f5es musicais, a partir do legado liter\u00e1rio de Sj\u00f6berg.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Sven Kristersson [Biography in Spanish – English and Portuguese below] BIOGRAF\u00cdA EN ESPA\u00d1OL Sven Kristersson es doctor y profesor de canto en la Academia de M\u00fasica de Malm\u00f6 (Suecia). Trabaja como cantante, compositor e investigador, explorando a menudo archivos hist\u00f3ricos e interpretando cr\u00edticamente el patrimonio cultural de su pa\u00eds mediante la interpretaci\u00f3n recontextualizada. Sus proyectos […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6544","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages\/6544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/comments?post=6544"}],"version-history":[{"count":5,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages\/6544\/revisions"}],"predecessor-version":[{"id":6549,"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/pages\/6544\/revisions\/6549"}],"wp:attachment":[{"href":"https:\/\/semanatarrega.com\/en\/wp-json\/wp\/v2\/media?parent=6544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}